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THE TIES WE CARRY: ON KRISTINA SPASSOVSKA’S “MOTHERLAND”
After an accident, a young woman is forced to stay home and be her mother’s two hands. A family made up of an emigrant mother and daughter is on the verge of being split apart, just as the moment arrives for…
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“TRIANGLE OF SADNESS” (2022): IN DEPTH ANALYSIS
The film “Triangle of Sadness,” directed by Ruben Östlund, is a dramatic comedy that intertwines several typical genre devices and storylines within its essence. The plot the film tells its viewers is a kind of novella that teaches and critiques the…
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LONELINESS IN POST-SOVIET LANDSCAPE: “BLACK DOG”
The first time I watched “Black Dog” I definitely didn’t like it. It felt like a segment of life that’s unfinished, as if there was probably something it was targeting to say, but it didn’t land. I had to do an…
